When you hear, “Venus is in aspect to Mars” this means there is a mathematical connection between the two planets. We’re talking about standard geometry here. A 90 degree angle is a “square”, a 180 degree angle is an “opposition”… etc.
You can see cheat sheet on aspect here. I urge beginners to focus on the Major aspects first (Conjunction, opposition, trine, square, sextile… plus the inconjunct or quincunx (terms which are interchangeable). From here, we think!
If I am Tammy and I see Tom across room, I note him.
If he comes walking towards me I will feel his energy stronger. The closer he comes the more intense my response or reaction. This is for good or ill depending on what kind of man Tom is.
When Tom is standing right next to me I’ll surely be crackling. If he’s right on top me there may be a point where I am completely merged with Tom. The planets work the same way.
Using the conjunction aspect as an example if someone has Pluto at 2 Virgo 13 (read “Two degrees, thirteen minutes of Virgo:) and Mercury at 2 Virgo 13, that would be an exact conjunction (inordinately rare).
If someone had Pluto at 2 Virgo 13 and Mercury at 2 Virgo 47 this would also be called and “exact conjunction”.
The minutes are insignificant. The guy is all the way on top you and if his toe is not touching you it doesn’t make that much difference does it? If the aspect is 1-3 degrees off that would be considered a “tight conjunction” by most. The number of degrees that separate the aspect are called the “orb” so if Pluto is at 2 Virgo and Mars is at 6 Virgo that is a conjunction with a 4 degree orb.
The tighter the orb the more intense the play between the two planets but it common for astrologers to designate a certain number of degrees for the various aspects and if the orb is wider than the number designated they no longer consider the planets to be in aspect / relationship.
You don’t have to worry about a lot of this stuff because the computer programs list the aspects according to whatever defaults have been set but here are common perimeters:
-Any aspect that involves the Sun and Moon 8-10 degrees
-Squares, oppositions and trines 6-8 degrees
-Sextiles, inconjuncts 3-5 degrees
Personally, I prefer tight orbs; the low end of what is above. But this is because if you open them up you have lines drawn all over the place and I don’t like clutter. I want to see what is most prominent in a chart but when I look at a chart like this, I do mind reality which is:
There are 360 degrees in a circle. If you look in the sky and you see two planets close together there is no doubt they are exchanging energy. Even if you’ve got planets in a sign that are 15 degrees apart there is still some crackle going on. These things just don’t fall off a cliff if there are 10 degrees plus 1 minute separating. It is not likely a conjunction with an orb that large is going to dominate the chart but make no mistake, there is some kind of relationship there.
The thing to do then, is filter the information because here’s a fact: Most people know very little about themselves. They rarely understand much more than the tip of their own iceberg so if you send them off to go look at all this minutiae they are going to get wrapped around the axle for sure. So I want to mention this all this but strongly suggest you focus on what is most prominent and in your face in your chart and come to understand it pretty well before you start running off to the circus and completely lose the plot. Because I see this all the time:
People can tell you all about their blah, blah, blah minor aspect with a fixed star that is progressed but the fact their heart is hemorrhaging right in the middle of their body escapes them completely. Do you think that is good astrology? I think it’s ridiculous astrology. So please, please deal with the things in your chart that beg to be dealt with before running off looking for distraction otherwise distraction is all you’re going to get.
I like to compare astrology to painting and there two points to make here on that front. One, you get the color blocked and large brushstrokes down first before you come in with the fine brush to add detail. Secondly, regarding the orbs, in good paintings there are no hard edges. People don’t have hard edges either do they?
So set your orbs, I recommend they be tight but don’t ever forget people communicate across a room all the time. Meantime pay attention to the people around you and specifically how you feel when they are near. Realize that your experience of them would be shown (blatantly) if you compared the two charts which you have to admit is pretty damned cool.
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